This when the second part of the film is a notch better with at least some plotting and the odd interesting twist but by then its bland going ons fail to engage you.ДonвЂ™t get me wrong. OK, he might have attempted a type new to Tamil cinema, but itвЂ™s finally the complete film that counts and MEM fails miserably in its execution.В Lazy writing, tacky CG and a terribly weak first half pretty much sound the death knell for the rest of the film. Unsurprisingly, the final result is a half-baked hotchpotch of a product going nowhere. In MEM, he combines the horror-comedy genre вЂ“ the film owes a lot to The Frighteners (1996), Ghost Town (2008) and the Korean film Hello GhostВ (2010) amongst others вЂ“ with a formulaic revenge drama thatвЂ™s been done to death. Little wonder then, his films are becoming little more than a collage of obvious crowd pleasing commercial items and in-house Tamil film jokes put together haphazardly and edited most jerkily in the hope of boosting a flimsy narrative, which is then put together by mishmashing from various films. He leaves behind a man who claims to make not films but instead dishes out diets ( Biriyani (2013)) and aims to hit sixes ( Massu Engira Masilamani). Venkat Prabhu, the once extremely promising filmmaker ( Chennai 600028 (2007)), is dead. I think I can finally say it though I was hoping I did not have to. And among the ghosts is his father, Sakthi (Suriya again), who was brutally murdered by the villainsвЂ¦ After a nearly fatal accident, petty conman of the streets, Masilamani (Suriya), realizes he can interact with ghosts who need their incomplete wishes fulfilled.

Massu engira masilamani sakthi part